{"id":20,"date":"2022-01-01T21:16:04","date_gmt":"2022-01-01T21:16:04","guid":{"rendered":"https:\/\/rebeccajadehammond.com\/?page_id=20"},"modified":"2026-06-02T10:19:15","modified_gmt":"2026-06-02T10:19:15","slug":"cv","status":"publish","type":"page","link":"https:\/\/rebeccajadehammond.com\/index.php\/cv\/","title":{"rendered":"Playwright\/Screenwriter"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><br><a href=\"https:\/\/www.haworthagency.co.uk\/rebecca-jade-hammond\">AGENT&#8217;S WEBSITE<\/a> <br><br><em>Rebecca Jade Hammond is an accomplished partially deaf writer whose work has received critical acclaim, including four-star reviews from both The Guardian and The Stage. As Artistic Director of Chippy Lane Productions Ltd, one of Wales&#8217; foremost new writing companies. Her plays have been published by Methuen Drama and long-listed for the prestigious Bruntwood Prize for Playwriting. <\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>EDUCATION<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Curtis Brown Creative <br><\/strong><em>September &#8211; December 2025<br><\/em><strong>BBC Voices &#8211; Writing For Television<br><\/strong><em>January &#8211; June 2025<br><\/em><strong>Faber Academy, London &#8211; Writing A Novel<br><\/strong><em>September 2024 &#8211; March 2025<br><\/em><strong>Goldsmith University &#8211; Postgraduate Certificate in Dramaturgy and Writing for Performance<br><\/strong><em>September 2021 &#8211; August 2022<br><\/em><strong>National Theatre &#8211; Advanced Playwriting Group<br><\/strong> <em>January 2020 &#8211; May 2020<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>PRODUCED WORKS<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Stage<br><br>HOT CHICKS (2025)<br><\/strong>Sherman Theatre\/Grand Ambition<br>Director: Hannah Noone<br>Published by Methuen Drama<br>\u2605\u2605\u2605\u2605 The Guardian and The Stage<br>The Stage\u2019s Top Shows in the UK 2025 <strong><br><br>WELCOME TO BETTYLAND (2024)<br><\/strong> London Academy of Dramatic Art<br>Director: Tristan Fynn Aiduenu<strong><br><br>MAD MARGOT (June 2023)<br><\/strong> Sherman Theatre\/Royal Welsh College of Music &amp; Drama<br>Director: Jac Ifan Moore<br><br><strong>RIGHT WHERE WE LEFT US (2022)<br><\/strong> Chippy Lane Productions\/Chapter<br>Director: Chelsey Gillard<br>Published by Methuen Drama<br>\u2605\u2605\u2605\u2605 Buzz Magazine\u00a0<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>LITTLE EMBER (2021)<\/strong><strong><br><\/strong> Theatr Clwyd<br>Director: Tamara Harvey<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>BLUE (2019) <\/strong><em>*credited as \u2018created by\u2019 <\/em><strong><br><\/strong>Chippy Lane Productions\/Chapter<br>Director: Chelsey Gillard<br>Published by Methuen Drama<br>\u2605\u2605\u2605\u2605 The Guardian&nbsp;<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Screen\/Broadcast<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>BETTY CAMPBELL DOCUMENTARY (2024)<\/strong><strong><br><\/strong> S4C\/Fire Flame<br>Director: Rhys Powys<br><em>Credited as screenwriter<\/em><strong><em>&nbsp;<\/em><\/strong><\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>WORKS IN DEVELOPMENT<\/strong><strong><br><\/strong><strong><br><\/strong><strong>Work with production dates:&nbsp;<\/strong><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>FERAL THREADS (2026)<\/strong><strong><br><\/strong>Royal Welsh College of Music &amp; Drama\/New Diorama<br>Director: Patricia Logue&nbsp;<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>THE DARK I SWIM (2026)<\/strong><strong><br><\/strong>Francesca Moody Productions\/ Theatr Clwyd\/Shedinburgh\/Young Vic<br>Director: Kate Wasserberg&nbsp;<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>MACBETH (2027) <\/strong><em>*Credited as \u2018Additional Material &amp; Dramaturgy\u2019<\/em><em><br><\/em>Sherman Theatre\/Craidd Cymru<br>Director: Francesca Goodridge&nbsp;<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>QUEEN IN ALL BUT NAME (2028)<\/strong><strong><br><\/strong>Theatr Clwyd<br>Director: Kate Wasserberg<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>In development:&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SECOND STAR MOTEL<\/strong> (Stage) <strong><br><\/strong>Chippy Lane Productions Ltd.\/Theatr Clwyd<br>Director: Hannah Noone<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FULL OUT<\/strong> (Television)<br>Created and written by Rebecca Jade Hammond &amp; Tanya Reynolds<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>THE WORLD&#8217;S DIFFERENT NOW<\/strong> (Stage)<br>Chippy Lane Productions<br>Director: Jac Ifan Moore&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DON\u2019T BE CRUEL <\/strong>(Television)<br>In development with BBC Voices&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>THESE UNFINISHED THINGS <\/strong>(Debut Fiction Novel)<br>In development with Faber Academy &amp; Curtis Brown Creative\u00a0<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>AWARDS &amp; RECOGNITION<\/strong><\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alpine Fellowship Writing Prize (Short-listed, 2025)\u00a0<\/li>\n\n\n\n<li>Bruntwood Writing Prize (Long-listed, 2025)<\/li>\n\n\n\n<li>Theatre 503 International Playwriting Award (Long-listed, 2024)<\/li>\n\n\n\n<li>Royal Shakespeare Company 37 Plays (Long-listed 2023)<\/li>\n\n\n\n<li>Papatango Playwriting Award (Short-listed, 2021)<\/li>\n\n\n\n<li>Originals Playwriting Award (Short-listed, 2022)<\/li>\n\n\n\n<li>Verity Bargate (Top 10%, 2022)<\/li>\n\n\n\n<li>BBC Writersroom (Top 9%, 2024 | Top 10%, 2021)<\/li>\n\n\n\n<li>Traverse Theatre Writing Award (Long-listed, 2020)<\/li>\n\n\n\n<li>Theatre Uncut &amp; Traverse Theatre (Long-listed, 2020)<\/li>\n\n\n\n<li>Finalist, Raindance Festival (2017)\u00a0<\/li>\n\n\n\n<li>Winner, Miami Web Fest (2017)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Grants &amp; Bursaries<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Peggy Ramsay Foundation Award (Recipient, 2020 &amp; 2022)<\/li>\n\n\n\n<li>Theatr Clwyd Micro Bursaries (Recipient, 2020)<\/li>\n\n\n\n<li>The Carne Trust Funding (2019 &#8211; 2025)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LITERARY&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Literary Reader &#8211; Hampstead Theatre (2019-2022)<\/li>\n\n\n\n<li>Writing Facilitator &#8211; Welsh Female Writers Group, Chippy Lane Productions Ltd. (2019-Present)<\/li>\n\n\n\n<li>Consulting Dramaturg &#8211; Young Playwright\u2019s Programme, Sherman Theatre (2022-2025)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Access Note: I am partially deaf, wear a hearing aid, and sometimes require additional support.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXfZmll03h8dn39IjdYfoVfNPhjWU1bE5hwOCxRiavOOPryLefVTg7WOMJEJ3JuRYsdzdRFHPA_Vg6p-oIWA1w3RMYmYilGC58n-5bU9W2VAKiRY60WYMV_saLIgRE1PpTx-P7H5KA?key=ZI1vxeCTlpN38XIrZKmBVA\" alt=\"\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXcVKq8oMgXI9jlTovsXOMwfLTJTe1gaWbyhYwjrcshTvBAuKT5TXh23vRF3VjfL1RPj3zwDuxFmjalkwaQPf_ARQQ7Kff2-vqiS1joS_G4nnoYVHoasBNB5PBnkIQRBzoItLt8fOQ?key=ZI1vxeCTlpN38XIrZKmBVA\" alt=\"\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>AGENT&#8217;S WEBSITE Rebecca Jade Hammond is an accomplished partially deaf writer whose work has received critical acclaim, including four-star reviews from both The Guardian and The Stage. As Artistic Director of Chippy Lane Productions Ltd, one of Wales&#8217; foremost new writing companies. Her plays have been published by Methuen Drama and long-listed for the prestigious &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/rebeccajadehammond.com\/index.php\/cv\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Playwright\/Screenwriter&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":"","footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":42,"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":397,"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions\/397"}],"wp:attachment":[{"href":"https:\/\/rebeccajadehammond.com\/index.php\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}